Wit's End by Cass McCombs on Apple Music

8 Songs

EDITORS’ NOTES

Cass McCombs has been on more than a few critics' lists over the past few years, thanks so his tightly written, evocative way of spinning intimate lyrics together with minimalist pop. His latest, Wit's End, continues his trajectory — putting him in that rarefied zone of the songwriter's songwriter. His tracks here are sparse, but carefully plotted. A slight acoustic guitar unveils a sweet, evocative world on "Pleasant Shadow Song" while "Hermit's Cave" is like a psychedelic, folk vision from Donovan's songbook but set in waltz time. Wit's End is a distinct mixture of chamber pop, indie whispers, and intimate soul music. This last point is addressed succinctly on "County Line" — the album's staggering focal point; something like a heartbreaking Philly soul number as envisioned by a melancholic.

EDITORS’ NOTES

Cass McCombs has been on more than a few critics' lists over the past few years, thanks so his tightly written, evocative way of spinning intimate lyrics together with minimalist pop. His latest, Wit's End, continues his trajectory — putting him in that rarefied zone of the songwriter's songwriter. His tracks here are sparse, but carefully plotted. A slight acoustic guitar unveils a sweet, evocative world on "Pleasant Shadow Song" while "Hermit's Cave" is like a psychedelic, folk vision from Donovan's songbook but set in waltz time. Wit's End is a distinct mixture of chamber pop, indie whispers, and intimate soul music. This last point is addressed succinctly on "County Line" — the album's staggering focal point; something like a heartbreaking Philly soul number as envisioned by a melancholic.

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5:37
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5:12
7:23
4:19
4:11
9:23

About Cass McCombs

After bouncing around the country writing songs and honing his craft, singer/songwriter Cass McCombs' insightful and emotionally rich work caught the ear of Baltimore label Monitor Records, which released his first EP, 2002's Not the Way. McCombs' debut album, A, was released early the following year and was distributed in Europe and the U.K. by 4AD. Early in 2005, the "Sacred Heart" single revealed the more polished and poppy direction of his second album, PREfection, which arrived that spring. Recorded in studios and at home, McCombs' third album, Dropping the Writ, was released in October 2007, followed by Catacombs in 2009. For 2011's Wit's End, McCombs opted for a dark, chamber music-inspired sound. Before the year was out, he returned with the "Bradley Manning" single, which he premiered on the Democracy Now News Hour, and another new album, Humor Risk. The following year, his song "Love Thine Enemy" was performed by the National and Bob Weir.

McCombs released the sprawling 22-song double album Big Wheel and Others in 2013. The record, which featured vocals from actress Karen Black on one track and contributions from musicians Mike Gordon (Phish), Joe Russo (Furthur), and Joan Wasser (Joan as Police Woman), found the singer digging deep into Americana and exploring a wide range of sounds and styles. Domino Records then released an anthology of McCombs' rarities and B-sides called A Folk Set Apart in late 2015. His eighth full-length studio album, 2016's Mangy Love, took on sociopolitical topics with grooving accompaniment that dipped into psychedelia, reggae, baroque pop, and funk. It featured over a dozen guests, including fellow renegade songwriter Angel Olsen, guitar ace Blake Mills, and Stuart Bogie of Superhuman Happiness. ~ Tim Sendra

  • ORIGIN
    Concord, CA
  • BORN
    1977

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