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Wolfmother (Deluxe Version)

Wolfmother

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Album Review

There's no denying Australian heavy rock trio Wolfmother has been raised on rock — specifically, raised on '70s rock. Problem is, from all appearances on their eponymous debut, they made their journey into the past via the twin gateway drugs of the White Stripes and Queens of the Stone Age, and once they dug back to the original Zeppelin and Sabbath texts (stopping along the way for some Soundgarden discs and maybe, for lyrical inspiration, Yes and Rush), they indulged so much it screwed with their sense of aesthetics. They threw everything and anything together, not bothering with minor problems like how their frenzied retro-rock doesn't quite support songs with titles like "The White Unicorn" and "Where Eagles Have Been" — Zeppelin drew inspiration from JRR Tolkien and Sabbath certainly sang about fairies and gnomes, but neither band sounded as precious, inarticulate, or confused as Wolfmother does here. And their naïveté is not limited to guitarist Andrew Stockdale's stock swords 'n' sorcery imagery: they mix up their musical clichés in bewildering ways, as riffs lifted from Soundgarden ("Rusty Cage" provides the opening for "Joker & the Thief") give way to a QOTSA stomp as sung by Jack White (whose ghost is also heard on the title of "Apple Tree," not to mention its frenetic verses), or how a complicated Zep riff is graced by a Jethro Tull flute solo on "Witchcraft." Blame it on their youth — all this stuff was new to them, so they absorbed it all at once then quickly regurgitated it in ways that won't seem to make much sense to anybody familiar with their inspirations (and their clunky funk-rock workout "Love Train" simply won't make sense to anybody anywhere). At times, Wolfmother's unintentionally bizarre amalgams are kind of delightful, and the group does have a basic, brutal sonic force that is pretty appealing, but even at their best, they never banish the specters of the bands that they desperately mimic throughout this promising but muddled debut. They have enough of a good thing going here to suggest that they'd be a killer live band, but not enough to make this record all too memorable on its own terms.

Customer Reviews

Take Notes

Any band even considering to ROCK should listen to this album, to see what you are up against. Rock needs this band.

You can dig it...

The iTunes review was a little harsh - I was turned on by the "free download of the week" that dropped back in the summer, Dimension. Instantly, Sabbath entered my head. I thought it was cool that someone was doing a throwback to such a profound genre that most people checking out iTunes were only lucky enough to hear en utero. Point being, you really can dig it. Whether you grew up listening to Led (and others) or not, you have to admit Wolfmother's attempt is epitome of perfection when compared to the slaughtering of Kashmir by the likes of "Jigglypuff" or whatever his name is...

I GOT TO TALK TO ANDREW!

This album doesnt have a single bad song on it, and the band owns live. I got to talk to Andrew of the band on the radio, and ever since then, this has been my fav band. The Remixes own and its all good. ITS AWESOME

Biography

Formed: 2000 in Sydney, New South Wales, Australi

Genre: Rock

Years Active: '00s, '10s

Truly a band out of time, the Australian power trio Wolfmother were conceived in 2000 — about 30 years too late, considering that the musicians' psychedelic brand of proto-heavy metal sounded similar to the late-'60s/early-'70s craft of Blue Cheer and Black Sabbath. Comprised of vocalist/guitarist Andrew Stockdale, bassist/organist Chris Ross, and drummer Myles Heskett, Wolfmother took the initiative of recording a four-track demo in 2004 for the purpose of booking shows. So sterling were the...
Full Bio
Wolfmother (Deluxe Version), Wolfmother
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