13 Songs, 52 Minutes


Ratings and Reviews

4.4 out of 5
61 Ratings
61 Ratings

Who knew this was getting the treatment?

A great Loverboy album, and a great rock album overall by any standard. "Working for the Weekend" is one of those iconic rock songs that will be heard on classic rock radio for the rest of time. But oddly enough, it's not among the songs I consider to be the best on the album.

For me, the highlights of this album are "Take Me to the Top" and "Lucky Ones," two tracks which simultaneously encompass everything Loverboy did best AND everything that was great about Album Oriented Rock before MTV killed the format. Synthesizer mix with guitars over driving drum beats to create something that sounded modern and retro all at once. In a different world Loverboy might have been classified as "Alt rock" had the format existed in 1981 rather than living as fringe/"different" rock stars with the likes of The Cars, the J. Geils Band, Aldo Nova and the Tubes. No matter what the classification, this is an album that stands the test of time and I'm thrilled to see it remastered on iTunes. An easy buy.


Great Stuff

Honestly, this album is so loaded with awesome rock songs! If you want them to sound even better, crank them in a red 1972 Pontiac Le Mans with the windows down in summer!


Great remaster of a classic album

I wore this record out in the eighties and it was a mainstay of my CD collection so I was thrilled to find the remaster on iTunes. I must disagree with the All Music Guide view that "Emotional" is a "sloppy bar tune"--it just showed a different side of Loverboy and is a fun song. So many great songs on here--"Lucky Ones," "When It's Over," "Take Me To The Top" ... a solid album from start to finish. Yeah, "Gangs In The Street" is kind of melodramatic (and the video is hilariously bad) but it still fits in with the rest of the record. The previously unreleased songs are interesting additions--you can almost hear the bridge between the first record and this one in their sound--but aren't super-strong so you can understand why they were originally left off this record. Loverboy were slagged a lot even in their heyday but "Get Lucky" is a great example of early eighties arena rock. Now if only "Keep It Up" can get the same treatment!

About Loverboy

One of the most popular North American rock bands of the 1980s, Loverboy scored a string of multi-platinum albums and hit singles with their canny blend of pop hooks and polished but energetic arena rock. Loverboy were formed in 1979 by vocalist Mike Reno and guitarist Paul Dean; both were veterans of Western Canada's rock scene (Reno had worked with the band Moxy, while Dean toured and recorded with Scrubbaloe Caine and Streetheart), and Dean was rehearsing with a new band in Calgary, Alberta. One of the musicians working with Dean invited Reno to stop by and jam with the group, and Reno quickly concluded he'd found the singer he'd been looking for. The two began writing songs together, and with the addition of Jim Clench on bass, Matt Frenette on drums, and Doug Johnson on keyboards, Reno and Dean's new band became Loverboy. After a few initial gigs (including a show opening for Kiss in Vancouver), Paul Clench left Loverboy, and Scott Smith became their new bassist, completing the band's definitive lineup.

Loverboy's initial demos attracted no offers from American record labels, but Columbia's Canadian branch signed them, and the group shortly went into the studio with producer Bruce Fairbairn and engineer Bob Rock. The result was Loverboy's self-titled debut, which was an immediate hit in Canada, selling over 700,000 copies in a matter of months. Columbia then signed Loverboy for the United States as well, and on the strength of hit singles like "The Kid Is Hot Tonight" and "Turn Me Loose," the album climbed the charts in America while the group toured hard in support. Released in 1981, Get Lucky, also produced by Fairbairn, was even more successful, spawning the band's signature tune "Working for the Weekend" and rising to the Top Ten of the Billboard album charts. Get Lucky also won an unprecedented six Juno Awards, the Canadian music industry's highest honor. Issued in 1983, Keep It Up maintained the multi-platinum success of Loverboy's previous albums, and the band launched an eight-month world tour in support.

In 1984, Reno took time out from the band's busy road schedule to record a duet with Ann Wilson of Heart, "Almost Paradise," for the soundtrack to the film Footloose; it became a major hit, rising to number seven on the Billboard singles charts. For their fourth album, 1985's Lovin' Every Minute of It, Loverboy aimed for a harder sound with the help of producer Tom Allom, best known for his work with Judas Priest. However, while the album still fared well, it didn't sell as well as the first three LPs, and 1987's Wildside, which reunited the band with Fairbairn, was their first album not to go platinum. With sales down and Reno and Dean experiencing creative differences, Loverboy quietly broke up in 1988. Reno and Dean both released solo albums, and the band staged a short reunion tour in support of a 1989 greatest-hits album, Big Ones.

In 1991, Brian MacLeod of the venerable Canadian band Chilliwack was diagnosed with cancer, and Bryan Adams and Bon Jovi staged a benefit concert to help with his medical expenses. Loverboy, who had worked with both acts in the past, reunited to join the bill, and enjoyed the experience so much that they booked full tours for both the United States and Canada in 1992 and 1993. Changing tastes stalled the band's recording career during this period (Reno has told more than one reporter, "Nirvana killed my career"), but in 1997, Loverboy returned to the studio to record VI, their first studio effort in ten years, and the band continued to tour periodically until November 30, 2000, when Scott Smith died as the result of a boating accident. In 2001, the band launched a tour dedicated to Smith, with new member Ken "Spider" Sinnaeve (formerly with Tom Cochrane, Red Rider, and Streetheart) joining in on bass.

The same year, the band released Live, Loud & Loose, a collection of concert recordings taped between 1982 and 1986. A 25th anniversary tour was staged in 2005, and in 2007, Loverboy issued their seventh studio album, Just Getting Started. Loverboy were inducted into the Canadian Music Hall of Fame in 2009, and in 2012 the band reunited with engineer Bob Rock to record a pair of new songs, "Heartbreaker" and "No Tomorrow." These two tracks, along with a third new tune, were featured on the album Rock ‘n' Roll Revival, which combined the new numbers with fresh studio recordings of nine Loverboy favorites. ~ Mark Deming

Toronto, Ontario, Canada




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