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Rocket Juice & the Moon

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Album Review

Given the high profile of Rocket Juice & the Moon's core members — Damon Albarn, Flea, and Tony Allen — the project is technically a supergroup, but there's a humility on their self-titled debut that makes it the work of a true collective. Dub, Afro-pop, and rap were growing fixations in Albarn's post-Blur years, and he brings all of these fascinations together with the help of Allen, with whom he collaborated on the considerably less vibrant the Good, the Bad & the Queen, and with Flea, who might seem to be the odd man out on paper, but blends in expertly with the rest of the players here. Indeed, the trio seems more than willing to let its guest vocalists come to the fore on Rocket Juice & the Moon. Erykah Badu and rapper Thundercat score an early highlight with the slinky, smoky "Hey, Shooter"; Fatou Diawara and the Hypnotic Brass Ensemble get a funky, summery showcase in "Lolo"; and "Chop Up," with a playful call and response between M3NSA and M.anifest, is another standout. Albarn doesn't step up to the mike until almost halfway through the album on "Poison," a more intimate and knowing take on the kind of star-crossed love songs he's been writing since "To the End" and "Yuko and Hiro." His vocals are almost tossed off, reflecting the appealingly loose, live feel of the entire album. Aside from the aforementioned "Hey, Shooter" and "Poison" (as well as the M.anifest showcase "The Unfadable"), most of these songs are charming, bite-size snippets and sketches like "Night Watch," a dubby exercise in double-jointed rhythms and bass and brass interplay; the serpentine keyboard interlude "Worries"; and the irresistible groove of "Fatherless." Because its tracks are so short, Rocket Juice & the Moon's undeniably jammy feel never becomes indulgent; while some tracks could have been cut to tighten it up, the album is more about the overall experience than moments of individual perfection. As it stands, this loose, adventurous collection of songs is more vital than many of the other overcooked projects that Rocket Juice's main players have been involved in during the 2000s and 2010s.

Customer Reviews

Nice!!!

Tony Allen, Flea + Damon Albarn - Need I say more?!?

Great Stuff!

If you are looking for RHCP or Gorillaz sound, DO NOT BUY THIS. This is a very funky, experimental, afrobeat style album. This is not your radio-friendly style of music that these musicians usually release. If you don't know what afrobeat is, look it up, if it doesn't groove you, don't buy this. Tony Allen is 70 some odd years old, but still drums out some funky beats.

I love this album, but I can understand that if you came here looking for another Gorilla or RHCP album that you would be disappointed.

Why the rap?

The album is okay, and Flea's playing doesn't annoy me as much as I thought it might - he actually locks in pretty well with Allen and leaves a lot of his over-the-top bass slapping aside. I like some of the instrumental cuts and the horns and vocals by Fatoumata Diawara are great, but the rap element is just not necessary. They are fine raps, nothing against M.anifest, but the album just doesn't need it. To me, the raps don't fit with the overall vibe and really hurt some of the tracks.

Biography

Formed: 2008 in Lagos, Nigeria

Genre: World

Years Active: '00s, '10s

The project of Damon Albarn, Tony Allen, and Flea, Rocket Juice & the Moon began when the three musicians met on a plane in 2008 when they were going to Lagos to work with Albarn's Africa Express collective. Realizing how much they all had in common, the three musicians made plans to record when they could, and by late 2010, they had nearly finished their first album. The group made its live debut nearly a year later, in October 2011 at Ireland's Cork Jazz Festival, and played another gig a few days...
Full Bio
Rocket Juice & the Moon, Rocket Juice & The Moon
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