15 Songs, 50 Minutes

EDITORS’ NOTES

Portland’s STRFKR (pronounced “Starf*cker”) creates the kind of indie dance-funk normally associated with New York hipsters. But as the first song from its third album reveals, there’s more substance in the band's songwriting. “While I’m Alive” opens Miracle Mile with all the shiny bells and whistles of a Brooklyn party jam, save for contagiously catchy melodies that you’d expect from a Pacific Northwest guitar band like Built to Spill. Over a pulsing and humid rhythm section, vintage synth tones undulate and grind against funk guitar as Josh Hodges’ sultry voice flirts into his microphone. "Malmo" boasts big, buttery grooves, courtesy of bassist Shawn Glassford’s deep explorations on the fretboard. But even with some disco-dappled, James Jamerson–inspired 16th notes, it’s the simple things that stick in your head, like Hodges whistling a melody that could be a separate song in and of itself. “Atlantis” glows with all the neon hues of '80s new wave titans like Eurythmics, The Human League, or Berlin. The seven-minute closer, “Nite Rite,” dips early-'90s dream pop into a '70s soft-rock hot-tub party.

EDITORS’ NOTES

Portland’s STRFKR (pronounced “Starf*cker”) creates the kind of indie dance-funk normally associated with New York hipsters. But as the first song from its third album reveals, there’s more substance in the band's songwriting. “While I’m Alive” opens Miracle Mile with all the shiny bells and whistles of a Brooklyn party jam, save for contagiously catchy melodies that you’d expect from a Pacific Northwest guitar band like Built to Spill. Over a pulsing and humid rhythm section, vintage synth tones undulate and grind against funk guitar as Josh Hodges’ sultry voice flirts into his microphone. "Malmo" boasts big, buttery grooves, courtesy of bassist Shawn Glassford’s deep explorations on the fretboard. But even with some disco-dappled, James Jamerson–inspired 16th notes, it’s the simple things that stick in your head, like Hodges whistling a melody that could be a separate song in and of itself. “Atlantis” glows with all the neon hues of '80s new wave titans like Eurythmics, The Human League, or Berlin. The seven-minute closer, “Nite Rite,” dips early-'90s dream pop into a '70s soft-rock hot-tub party.

TITLE TIME
3:50
3:26
3:36
2:11
0:54
2:14
2:07
4:01
4:26
2:31
3:16
3:35
2:56
4:43
7:12

About STRFKR

Starting out under the head-turning moniker Starfucker, STRFKR is an indie pop/indie electro band formed by Sexton Blake's Josh Hodges. After the songwriter returned to Portland, Oregon following a four-year stint in New York City, he released two Sexton Blake records on Expunged, including Plays the Hits, a breezy but glum lo-fi album of '80s covers. Looking to convert his musical endeavors into a more lighthearted project, Hodges recruited Mr. Fredrick's Shawn Glassford and formed a new group with Junkface's Ryan Bjornstad. With notable live performances that featured some instrument swapping, dual drumming, and stage diving, as well as some outlandish costumes, Dylan Magierek's attention was drawn to their set and he signed the band to Badman Recording Company. Hodges and Magierek took some of their home recordings to the Type Foundry to round out their eponymous debut record with some intricate layering, and in September 2008, the album was released to the public and hailed by critics for its abundance of dance-friendly hooks. Multi-instrumentalist Keil Corcoran joined in 2009.

Experiencing some mainstream success in the form of a Target campaign that sampled "Rawnald Gregory Erickson the Second," the band wrestled with a name change, considering PYRAMID and Pyramiddd in their short list of options. Ultimately, they decided to embrace the absurdity of their moniker and stuck with Starfucker for 2011's Reptilians, which was released on Polyvinyl. Some lineup changes ensued as time went on, with Bjornstad leaving the band and touring guitarist Patrick Morris taking his place as a full-time member in late 2011. The band continued to grow in popularity, and again grappled with a name change. They opted for the shortened STRFKR in 2012, and between tours completed work on their third album, Miracle Mile, which was released in early 2013.

Slimmed down to the lineup of Hodges, Glassford, and Corcoran, STRFKR returned with Being No One, Going Nowhere in November 2015 on limited-edition "early bird" vinyl, with a full release following in the fall of 2016. It landed on several Billboard charts, including vinyl, rock, alternative, independent, and the Heatseekers Albums chart, where it hit number one. Early the next year, Polyvinyl began releasing a three-volume series of demos rescued from Hodges' dying laptop, with Vault, Vol. 1 arriving in February 2017. Vault, Vol. 2 followed in July, and Vault, Vol. 3 wrapped up the 64-track set that December. ~ Jason Lymangrover & Marcy Donelson

  • ORIGIN
    Portland, OR
  • FORMED
    2007

Songs

Albums

Top Videos

Listeners Also Played