12 Songs, 29 Minutes

EDITORS’ NOTES

A landmark of the early years of the Philly soul scene, Barbara Mason’s 1965 debut Yes, I’m Ready documents a time before the rise of Kenny Gamble and Leon Huff’s hit making Philly International label, when the city was dominated by a patchwork of small labels, each boasting their own distinct sound. Arctic Records was owned by Philadelphia radio personality Jimmy Bishop, and Barbara Mason was the label’s first major star. Her self-penned hit “Yes, I’m Ready”, was an aching string drenched ballad that would define the sound of the Arctic Records’ future releases, and that would become a slow dance staple for decades to come. Though Yes, I’m Ready is unquestionably built around its breathtaking title track, the album maintains a remarkably consistent sound throughout and contains a number of standouts, most notably the Smokey Robinson-influenced “Sad, Sad Girl,”, and the gut-bucket R&B of “Something You Got,” a reworking of a New Orleans classic that finds the usually reserved Mason belting with the conviction of a hardened barrelhouse queen.

EDITORS’ NOTES

A landmark of the early years of the Philly soul scene, Barbara Mason’s 1965 debut Yes, I’m Ready documents a time before the rise of Kenny Gamble and Leon Huff’s hit making Philly International label, when the city was dominated by a patchwork of small labels, each boasting their own distinct sound. Arctic Records was owned by Philadelphia radio personality Jimmy Bishop, and Barbara Mason was the label’s first major star. Her self-penned hit “Yes, I’m Ready”, was an aching string drenched ballad that would define the sound of the Arctic Records’ future releases, and that would become a slow dance staple for decades to come. Though Yes, I’m Ready is unquestionably built around its breathtaking title track, the album maintains a remarkably consistent sound throughout and contains a number of standouts, most notably the Smokey Robinson-influenced “Sad, Sad Girl,”, and the gut-bucket R&B of “Something You Got,” a reworking of a New Orleans classic that finds the usually reserved Mason belting with the conviction of a hardened barrelhouse queen.

TITLE TIME
3:06
2:27
2:27
2:30
2:43
3:15
2:15
2:06
2:49
3:06
2:44

About Barbara Mason

An interesting minor soul performer, Barbara Mason initially focused on songwriting when she entered the music business in her teens. As a performer, though, she had a huge hit in 1965 with her self-penned "Yes, I'm Ready" (number five pop, number two R&B), a fetching soul-pop confection that spotlighted her high, girlish vocals. One of the first examples of the sweet, lush sound that came to be called Philly soul, she had modest success throughout the rest of the decade on the small Arctic label, reaching the pop Top 40 again in 1965 with "Sad, Sad Girl."

In the early and mid-'70s, Mason toughened her persona considerably, singing about sexual love and infidelity with a frankness that was uncommon for a female soul singer in songs like "Bed and Board," "From His Woman to You," and "Shackin' Up." Sweet soul continued to be her groove, and she continued to write some of her material. But the production, as it was throughout soul in the '70s, was more funk-oriented, and at times Mason would interrupt her singing to deliver some straight-talkin' raps about romance. Curtis Mayfield produced her on a cover of Mayfield's "Give Me Your Love," which restored her to the pop Top 40 and R&B Top Ten in 1973; "From His Woman to You" and "Shackin' Up" were also solid soul sellers in the mid-'70s. After leaving Buddha Records in 1975, she only dented the charts periodically, with "I Am Your Woman, She Is Your Wife" (1978), "Another Man" (1984), and a couple of other singles. ~ Richie Unterberger

  • ORIGIN
    Philadelphia, PA
  • GENRE
    R&B/Soul
  • BORN
    August 9, 1947

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