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Album Review

Jim Brickman's simple, straightforward solo piano melodies have made the extraordinary breakthrough onto soft rock radio alongside the Whitney Houstons and Mariah Careys. Perpetuating his belief that less is more, the former jingle writer keeps the romantic pieces on his eloquent third release, Picture This, short and hooky, with most clocking in under three minutes. Though his label association might lean towards his categorization as a new age artist, Brickman is pure pop all the way, with none of the pretentious grandeur of so many of new age's top players. Most of the songs are lighthearted and whimsical, easy to fall in love with and to, but a few (like the moody "Edgewater," which features oboe harmony) hint at a deeper artistry. A tender Martina McBride vocal will no doubt open doors in the country market, but contemporary fans will better enjoy the lush duet Brickman plays with saxman Boney James. It's hardly innovative, but its quiet beauty still runs circles around anything Kenny G's ever done. And it established Brickman as the premier romantic piano sensation of his generation.

Customer Reviews

Fantastic

This is by far my favorite Jim Brickman album. Just seems more passionate than some of his newer music

World class

Can’t stop thinking about this guy’s music.

PICTURE THIS

I LOVE ALL OF JIM'S BEAUTIFUL ALBUMS. I OWN A LOT OF THEM AND THEY ARE ALL BEAUTIFUL TO LISTEN TOO.

Biography

Born: November 20, 1961 in Cleveland, OH

Genre: New Age

Years Active: '90s, '00s, '10s

Though classically trained, pianist Jim Brickman prefers to play more pop-flavored, gently lyrical new age music. His unique compositions are emotional and structured, but not rigidly so. Brickman enrolled in the Cleveland Institute of Music in his late teens. The focus was on classical music, but Brickman could not escape the lure of mainstream music, and at age 19 began writing commercial jingles. This led him to compose music for such major outfits the Gap, Isuzu, Sprint, and Kellogg's as well...
Full Bio
Picture This, Jim Brickman
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