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Station

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Album Review

For those who celebrated the intricate heaviness of Russian Circles' debut album, Enter, or better yet saw them devastate live audiences with the sheer metallic roar of it all, Station may seem a little underwhelming — at first. Brian Cook of Botch/These Arms Are Snakes has replaced bassist Colin DeKuiper (on record at least). That said, one should expect a wall of sonic attack that would make the gods cower, right? Not exactly. Texture and dimension have become a big part of Russian Circles sound on this six- track album. They've tried to get themselves out of the post-rock "build up and up and up and finally explode" equation that has actually hampered the growth of the music. They haven't left metal behind, but have tempered it somewhat with some softer sounds, a more gradual expansion, and layered textures on any given theme, or some set thereof. About half the album relies on this technique, and admittedly, it can be a bit frustrating on first listen because there are so many parts folded into one another it simply isn't as obvious as Enter was. Mike Sullivan's guitar playing relies as much on fingerpicked swells that shimmer and refract as it does power chugging riffs. Dave Turncrantz's drums won't announce the shifts and twists and turns, either. He jumps in with the rest of the band, playing to the sense of drama and tension that get spread beautifully over the dimensions of space and power, framed perfectly by producer-engineer Matt Bayles. "Harper Lewis" takes the ominous heaviness that Russian Circles are known for, pours paranoid ambient sonics around the drum kit, and allows Cook to let that low end bass just throb wide open, until Sullivan just crushes the entire thing with his wall of squall stun riffing. It takes a little while to develop, but the payload is big. This is also true to a greater degree on the title track. Back and forth guitar and bass thrumming becomes a push and pull between the two players until only the thudding drum fills can breach the gap. It becomes almost unbearably tense even as the tonal and time signatures shift. The same kind of metal effect takes place in "Youngblood." Think of the menacing guitar intros of vintage Iron Maiden or Judas Priest paired with the sense of distortion, detuned feedback, and the noir transcendence of Isis or Pelican. The softer tunes, such as "Verses" and "Xavi," are really compelling puzzle pieces loaded with tricky corners, intricate spaces, and floating guitar and bass parts that open the door of power rock infinity but stop at the threshold. The bottom line is that this diversity is not a lack of focus, but growth and development that make the band stand out from the pack, making the effort to spin this a few times yield very big rewards.

Customer Reviews

Just As Good As Enter

If not better. Station finds the band exploring more intricate melodies and collective heaviness. I dont understand why someone could have a problem with anything this band is capable of. Maybe not as hypnotic as Enter, but the movement and flow is all still here. Better than most music around these days anyway.

Mmm Mmm good

This whole album is good but the track that makes this album epic is "Harper Lewis". It grabs you by the balls and slowly tightens it's grip until you're bent over crying and gasping for air!

Harper lewis

Harper lewis is the song that led me to Russian circles work. I'm a pretty solid post-rocker and this is one of my favorite Post-rock bands along side Caspian and This will destroy you! I love all of their work but if you can only afford one album...then I say Geneva!

Biography

Formed: 2004 in Chicago, IL

Genre: Alternative

Years Active: '00s, '10s

The post-rock/experimental trio Russian Circles feature Mike Sullivan (guitar), Colin DeKuiper (bass), and Dave Turncrantz (drums). Prior to Russian Circles, Sullivan and DeKuiper were members of the eclectic instrumental act Dakota/Dakota, while Turncrantz produced an emo-punk ruckus with Riddle of Steel. The instrumental group formed in 2005 in Chicago, and together they create a complex clamor of sprawling guitars, propulsive drumming, and heavy basslines. That same year, Russian Circles self-released...
Full Bio
Station, Russian Circles
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Customer Ratings

Contemporaries