15 Songs, 53 Minutes

EDITORS’ NOTES

The master samba-revivalist Seu Jorge is talented enough to tackle any genre of music and refashion it in his own image. He first gained international attention through his role in the critically acclaimed City of God, then 2005’s Cru (Raw) saw him remake Lieber and Stoller’s standard “Don’t” into sunny Brazilian Pop. It's not surprising that American auteur Wes Anderson recognized Jorge’s interpretive talents and commissioned him to record a set of Portuguese language David Bowie covers for the soundtrack to his Life Aquatic. What is surprising is the fierce originality that Jorge injects into his performances. His effortlessly supple delivery, reminiscent at times of Caetano Veloso’s dulcet croon, and his painterly rhythm guitar work allow The Life Aquatic Studio Sessions to transcend its admittedly kitschy concept; Jorge’s unrestrained covers of “Lady Stardust” and “Life on Mars” in particular gain strength when removed from their cinematic context. With The Life Aquatic Studio Sessions Seu Jorge has created a work possessed of a casual intimacy that makes it an essential addition to his catalogue.

EDITORS’ NOTES

The master samba-revivalist Seu Jorge is talented enough to tackle any genre of music and refashion it in his own image. He first gained international attention through his role in the critically acclaimed City of God, then 2005’s Cru (Raw) saw him remake Lieber and Stoller’s standard “Don’t” into sunny Brazilian Pop. It's not surprising that American auteur Wes Anderson recognized Jorge’s interpretive talents and commissioned him to record a set of Portuguese language David Bowie covers for the soundtrack to his Life Aquatic. What is surprising is the fierce originality that Jorge injects into his performances. His effortlessly supple delivery, reminiscent at times of Caetano Veloso’s dulcet croon, and his painterly rhythm guitar work allow The Life Aquatic Studio Sessions to transcend its admittedly kitschy concept; Jorge’s unrestrained covers of “Lady Stardust” and “Life on Mars” in particular gain strength when removed from their cinematic context. With The Life Aquatic Studio Sessions Seu Jorge has created a work possessed of a casual intimacy that makes it an essential addition to his catalogue.

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2:45
3:29
3:15
3:41
3:29
3:38
3:32
3:08
3:10
3:57
3:40
2:53
4:34
2:30
5:38

About Seu Jorge

Singer Seu Jorge spearheaded the Brazilian samba renaissance of the early 21st century, expanding his audience far beyond South America via featured roles in the internationally acclaimed films City of God and The Life Aquatic with Steve Zissou. Born Jorge Mario da Silva on June 8, 1970, he spent his childhood in the slums of Rio de Janeiro, working odd jobs to survive. While serving his year of compulsory military service, he also played cornet in a Brazilian army band. In 1991, Jorge's 16-year-old brother was killed by Rio police. At the funeral he met Gabriel Moura, nephew of Brazilian saxophonist Paolo Maura, who agreed to put Jorge in touch with other aspiring musicians looking to form a band. He spent the next three years teaching himself guitar, and in 1993 was hired as an actor and musician with Tuerj, a theatrical troupe sponsored by the Universidade do Estado do Rio de Janeiro. Jorge appeared in close to two dozen Tuerj productions in the months to follow before exiting in 1996 to lead Farofa Carioca, a major-label Brazilian pop outfit that sold few records but nevertheless anticipated the commercial revival of samba.

Adopting the name Seu Jorge -- Seu, an abbreviation of "senhor," is a venerable Brazilian honorific -- his dusky baritone and charismatic stage presence immediately attracted attention and in 1999 he left Farofa Carioca to mount a solo career, collaborating with Beastie Boys producer Mario Caldato on the commercial and critical smash Samba Esporte Fino. In 2002, Jorge was cast as Knockout Ned in director Fernando Meirelles' Academy Award-nominated City of God -- two years later he co-starred in Wes Anderson's The Life Aquatic with Steve Zissou as Pelé Dos Santos, a member of an oceanography crew with a penchant for singing David Bowie covers in Portuguese. The project introduced many filmgoers to Jorge's musical career and greatly elevated the global profile of his sophomore solo effort, the acclaimed 2004 release Cru. The Life Aquatic Studio Sessions, assembling all 14 of the songs he recorded for the film, followed in late 2005. América Brasil: O Disco appeared in 2008 from Naïve Records, with Seu Jorge and Almaz arriving in 2010. ~ Jason Ankeny

  • ORIGIN
    Rio De Janeiro, Brazil
  • GENRE
    Brazilian
  • BORN
    June 8, 1970

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