Redesigned from the ground up, Final Cut Pro combines revolutionary video editing with powerful media organization and incredible performance to let you create at the speed of thought.

Revolutionary Video Editing
• The Magnetic Timeline 2 uses advanced metadata for faster, easier editing than with traditional tracks
• Enhanced Timeline Index lets you drag and drop audio roles to rearrange the layout of your timeline
• Use Clip Connections to attach B-roll, sound effects, and music to the timeline
• Reduce clutter by grouping clips into a Compound Clip
• Cycle through different shots, graphics, or effects at one place in the timeline with Auditions
• Edit multicamera projects with automatic syncing based on audio waveforms and support for up to 64 camera angles
• Import and edit 360° equirectangular video in a wide range of formats and frame sizes

Powerful Media Organization
• Organize your work within libraries for efficient media management and collaboration
• Content Auto-Analysis captures camera metadata and analyzes shots in the background
• Create and apply custom keywords or favorites on the fly as you select clip ranges
• Smart Collections dynamically organize content for you to quickly find any shot in a few clicks

Incredible Performance
• Final Cut Pro uses all the GPUs in your Mac for superior real-time playback performance and fast background rendering
• 64-bit architecture uses all the RAM in your system for larger projects and richer effects
• Background processing lets you keep working without interruption
• Work natively with a broad range of formats including ProRes, RED, XAVC, AVCHD, H.264 from DSLRs, and more

Compelling, Customizable Effects
• Beautifully animated, easily customizable 2D and 3D titles
• Change the look of titles, transitions, and effects using intuitive controls
• Choose from an extensive ecosystem of third-party FxPlug plug-ins with custom interfaces

Integrated Audio Editing
• Assign roles — including dialogue, music, effects, and custom choices — during import to easily track and organize your project
• Expand and edit multichannel audio files directly in the timeline
• Let Final Cut Pro repair audio problems such as hum, excessive background noise, and more
• Sync DSLR video with separate audio in a single step with instant audio waveform matching

Intuitive Color Grading
• Import, edit, and deliver video in standard color spaces, or in wide Rec. 2020 color space
• Improve the look of any clip with one-click Balance Color
• Manipulate color, saturation, and exposure with the Color Board
• Fine tune a specific color or area of the screen using keying and masks
• Powerful color wheels and curves for precise adjustments with keying and masks

One-Step, Optimized Output
• Incredibly fast export for playback on Apple devices and upload to websites such as Vimeo, YouTube, and Facebook
• Use themed menus to author and burn a DVD or Blu-ray disc
• Export audio stems and multiple versions of a finished video using roles metadata
• Import and export XML for third-party workflows like color grading and sound mixing

System Requirements: macOS 10.12.4 or later, 4GB of RAM (8GB recommended for 4K editing, 3D titles, and 360° video editing), OpenCL-capable GPU graphics card or Intel HD Graphics 3000 or later, 256MB of VRAM (1GB recommended for 4K editing, 3D titles, and 360° video editing), 4GB of available disk space. 

Some features require Internet access; fees may apply. Blu-ray recorder required for burning Blu-ray discs. Video output to VR headset requires Mac computer with discrete graphics running macOS High Sierra. 27-inch iMac with Radeon Pro 580 graphics recommended. HEVC and HEIF support require macOS High Sierra.

What's New

Version 10.4

360 VR editing
• Import and edit 360° equirectangular video in a wide range of formats and frame sizes
• Output 360° video to a connected VR headset*
• Open the 360° viewer to simultaneously monitor headset and equirectangular views while editing
• Option to track movement of a VR headset in the 360° viewer in Final Cut Pro
• Add 360° effects including blurs, glows, and more
• Share 360° video directly to YouTube, Facebook, and Vimeo
• Use the 360° patch to instantly remove cameras and rigs from the scene
• Use the Horizon overlay to easily change the orientation of 360° video right in the viewer
• Edit 360° video into a non-360° project and animate the pan, tilt, and zoom
• Place any graphic, still, or video into a 360° project, then reposition and resize to fit perfectly into the 360° scene
• Support for monoscopic and stereoscopic 360° video

Advanced color grading
• Dedicated color tab in the inspector provides one location for all color controls
• Powerful new color wheels improve upon traditional wheels with integrated sliders to adjust hue, saturation, and brightness
• Color curves enable ultra-fine adjustments using multiple control points to change color and contrast
• Hue/saturation curves let you select a specific hue or brightness level to make adjustments while leaving other parts of the image unchanged
• Use the eye dropper in the color and hue/saturation curves to quickly sample parts of an image for adjustment
• Balance Color command includes an eye dropper for manual white balance
• Apply custom LUTs from popular color grading apps and sites
• Adjust color corrections over time with precise keyframe controls
• Speed through color correction using new keyboard shortcuts for color adjustments and role-based timeline navigation
• Color presets are now located in the effects browser for skimmable preview and fast search

High Dynamic Range
• Import, grade, and deliver High Dynamic Range (HDR) video as Rec. 2020 HLG or Rec. 2020 PQ for HDR10
• Output video to third-party HDR monitors using third-party I/O devices
• Built-in waveform monitor indicates HDR brightness levels up to 10,000 nits
• HDR Tools effect lets you easily tone map HDR to Standard Dynamic Range (SDR) output as well as convert between PQ and HLG formats
• Option to view HDR as raw values when working without an HDR monitor

Additional features
• Send your iMovie for iOS project directly to Final Cut Pro for advanced editing, audio work, and finishing
• Import, playback, and editing of High Efficiency Video Coding (HEVC, also known as H.265) video clips and High Efficiency Image Format (HEIF) photos from Apple devices**
• Send to Compressor to export video projects in the HEVC format
• Adjust audio using effects plug-ins from Logic Pro X with redesigned, resizable interfaces
• Support for Canon Cinema RAW Light format with additional software from Canon
• Faster Optical Flow analysis using Metal 2
• Support for NFS-based libraries and media
• XML 1.7 with support for new color grading controls, 360 VR effects, and HDR

* Requires compatible VR headset, macOS High Sierra, and SteamVR
** HEVC and HEIF support requires macOS High Sierra

Ratings and Reviews

4.1 out of 5

419 Ratings

419 Ratings

Don’t beleive all the negativity, a remarkable NLE


When the revamped Final Cut Pro X first dropped, it upset many longtime users. There were legitimate issues at the time, with many features missing and an entirely new program to learn for editors that knew FCP like the back of their hands. Add to this the fact that Apple handled the update inelegantly, and it was quite the firestorm. However, that’s not Final Cut Pro X today.

Today Final Cut Pro X is an outstanding NLE. I think it’s the best in the business. When it comes to Final Cut, and Apple in general, there is a lot of schadenfreude out there. It can be hard to filter out the legitimate complaints. Try FCPX and see for yourself that it is far, far from “iMovie for prosumers”. It’s a great program for prosumers who want more than iMovie can offer, no doubt, but it’s also a superb tool for pros. Just ask the many that rely on it daily to edit television and film projects.

BTW: When you see a review that says “basically iMovie”, “very limited functionality”, or “not for professionals”, you can trust the reivewer either doesn’t know how to use the product (likely) or has an agenda in favor of Adobe (also likely). Given the number of commercials, documentaries, and feature films that have been edited using FCPX in just the last few months, it’s safe to say it’s neither iMovie or very limited. Just check with some of Hollywood’s best filmmakers to see if it’s “not for pros”.

A New Powerhouse


Seven years ago I left Final Cut Pro as my preferred editing suite, as many editors did at the time, for Adobe Premiere. I recently revisited Final Cut Pro X when I heard great things about their 10.4 update and….wow! I am honestly speechless at the vast amount of improvements made to this software. The developers really have done a fantastic job with this latest version of FCPX and I am blown away at how much more efficient and optimized the editing process has become, especially when compared to Premiere.

I went ahead and jumped into this software after a few short tutorials and found myself saving about an hour of time when compared to a similar video I recently edited in Premiere and this was after just getting started! Further, the export time was a little more than twice as fast as Premiere! I could go on and on here (I may make a video about this) but I am intrigued and exited for the future of my editing process. I’m not ready to jump ship from Premiere just yet but I am definitely making both Premiere and Final Cut Pro a part of my workflow now.

HUGE thanks to the developers for making Final Cut Pro X 10.4 easy to navigate, fresh and exciting, streamlined, professional and making the combined performance of FCP and Macs a powerhouse of a editing workstation!

A game changer at our ad agency

T. Payton

Final Cut Pro X has been a game changer for our ad agency. The organization tools of the browser and the flexibility of the magnetic timeline are allowing us to simply tell better stories. Rendering is rarely needed. Exporting happens faster than I can walk from my edit station to the conference room. Compared with what we were doing with a simple track based editor, we have gained tremendous flexibility in reordering clips, stacking SFX, and trimming effortlessly all while not being bothered with the technical complexity until we need it. Any format or frame rate we throw at it, it handles with ease and then allows us to match broadst specs on output. MXF with multichannel audio for broadcast is a breeze. The Library model is unmatched for keeping client work self contained and pulling up an archived library years later for revision is a dream with nothing missing. We use it for broadcast spots, multilanguage corporate, observational documentary, super wide trade show displays (48x9 ratio), long format webisodes, color graded a few student feature films and and created countless “brand videos”. The FCPX community online at Twitter and Facebook is fantastic and very helpful. We’ve never lost a project. Never had a issue that wasn’t easily correctable. 10.3.4 has been super stable.


Apple Inc.
3 GB
English, French, German, Japanese, Simplified Chinese, Spanish
Age Rating
Rated 4+
© 2011-2017


  • Family Sharing

    With Family Sharing set up, up to six family members can use this app.

More By This Developer