iTunes

Opening the iTunes Store.If iTunes doesn't open, click the iTunes application icon in your Dock or on your Windows desktop.Progress Indicator
Opening the iBooks Store.If iBooks doesn't open, click the iBooks app in your Dock.Progress Indicator
iTunes

iTunes is the world's easiest way to organize and add to your digital media collection.

We are unable to find iTunes on your computer. To download from the iTunes Store, get iTunes now.

Already have iTunes? Click I Have iTunes to open it now.

I Have iTunes Free Download
iTunes for Mac + PC

360 Sound: The Columbia Records Story

Legends and Legacy

This book is available for download with iBooks on your Mac or iOS device. Multi-touch books can be read with iBooks on your Mac or iOS device. Books with interactive features may work best on an iOS device. iBooks on your Mac requires OS X 10.9 or later.

Description

Dave Marsh’s Legends and Legacy represents a condensed history of Columbia Records at its best. Its relationship to Sean Wilentz’s book, 360 Sound: The Columbia Records Story, is complementary, but not parallel. Sean’s book is the objective story, and mine, the subjective one. This groundbreaking eBook contains 90 second sound samples of all 263 tracks.

Marsh chronicles the history of the label with 263 of the most important recordings over the past 125 years.  Steve Barnett conceived “a collection of the best, not necessarily the biggest.” Thus, some big hits are absent while many relative obscurities are present. Yet, we hope, the fundamental artistic achievement of Columbia as a company is represented in every area: classical, rock, jazz, blues, Broadway, country, dance, soul and R&B, gospel, spoken word. 

Another restriction, this one more arbitrary, is that no performer has more than three selections. The goal in making those multiple selections is to express the artist’s development or, in the case of, say, Duke Ellington or Bob Dylan, the multiple facets of the artist’s work. There are ten performers who, for one reason or another, we felt needed three selections to accurately represent them. The emphasis is on performer—the main credited artistic presence in the music. There are at least four songs written by Dylan, his own three plus one by the Byrds, and Benny Goodman and Leonard Bernstein are represented five times each because of work in various collaborative projects.  

Another choice was to use the range of music that Columbia purchased from other companies, including OKeh and the American Recording Company, up through the acquisition of ARC in 1939.

Because the goal is historical, we didn’t divide the material by genre. Columbia was never a chamber music label or a pop vocalist label, or a country, disco, rap, Broadway, rock, blues, R&B, or swing company. It released all of these kinds of music (and a few more) as they presented themselves to be done. So we offer you Columbia in 1956, as the home of honky tonk (Johnny Horton, Ray Price), pop (Doris Day), jazz (Duke Ellington, Errol Garner), show tunes (My Fair Lady), orchestral (Isaac Stern with the Philadelphia Orchestra), and orchestral theatrical music (Candide), plus Guy Mitchell, whose “Singing the Blues” might be claimed as pop, rock, or country. There is no greater tribute to Columbia imaginable than the excellence within all these musical categories.

One of the marvels of digitization is that you can easily program the collection to take you to all the jazz tracks or all the blues or show tunes, if that’s your preference. For musical omnivores, which is a category inclusive of everybody involved in creating the collection, it’s more fun to think of “Better Git It in Your Soul” and “Everything’s Coming Up Roses” being recorded just two weeks apart.

However you choose to listen, we hope that Legends and Legacy adds to your appreciation of what treasures reside in Columbia’s archives, and adds to your appreciation of the historical story woven by 360 Sound. If you have a tenth the fun I did in compiling it, you’ll rejoice in these riches and hit repeat when it’s over.   –Dave Marsh

What's New in Version 1.0.1
- widget performance improvements

What's New in Version 1.0.2

Bug Fixes

Screenshots

screenshot 1
screenshot 2
screenshot 3
screenshot 4
screenshot 5

Customer Reviews

Great idea poorly executed

The touchscreen turntable is a great idea,but unfortunately too many glitches and mistakes spoil it. Some records spin counterclockwise, some 78's spin at 33. Worst of all,every 50's and 60's LP is given the label Columbia used on 78's in the 40's! Wrong! Even in a free book,that is inexcusable. It is a history of the company,after all. The book is called "360 Sound" but the label that featured that phrase is nowhere to be seen. Not to mention the classic "3-eye" 1950's label. Such a shame. I was so disappointed I deleted it. If you can correct the problems,this would be a 5 star book,and would be worth paying for. I should point out, I had no audio problems at all. Some of the early 20th century recordings are fascinating. And the text is very good. Dave Marsh always has interesting things to say. Fix the problems,and this will be a classic!

Won't load.

Book won't load. I checked the requirements listed and I have them. What a pain! Can't figure out how to delete. It won't highlight to delete.

It never goes away

Like others, it does not load properly and you never can get rid of it. Somebody help.

360 Sound: The Columbia Records Story
View in iTunes
  • Free
  • Available on iPad, iPhone and Mac.
  • Category: Music
  • Published: Oct 01, 2012
  • Publisher: Columbia Records
  • Seller: TRAILER PARK INC.
  • Print Length: 193 Pages
  • Language: English
  • Version: 1.0.2
  • Requirements: To view this book, you must have an iPad with iBooks 2 or later and iOS 5 or later, or an iPhone with iOS 8.4 or later, or a Mac with OS X 10.9 or later.

Customer Ratings