Gore Vidal
A Biography
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- $11.99
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- $11.99
Publisher Description
This “fascinating” biography of an iconic American author and public intellectual “is so full of incident and celebrity . . . a pageant of entertaining stories” (The Atlanta Journal-Constitution).
Few writers of recent memory have distinguished themselves in so many fields, and so consummately, as Gore Vidal. A prolific novelist, Vidal also wrote for film and theater, and became a classic essayist of his own time, delivering prescient analyses of American society, politics, and culture. Known for his rapier wit and intelligence, Vidal moved with ease among the cultural elite—his grandfather was a senator, he was intimate with the Kennedys, and one of his best friends was Tennessee Williams. For this definitive biography, Fred Kaplan was given access to Vidal’s papers and letters. The result is an insightful and entertaining portrait of an exceptional and mercurial writer.
PUBLISHERS WEEKLY
Kaplan has written esteemed lives of Henry James, Dickens and Carlyle and is a professor of English at Queens College. He candidly admits, in a "prelude" that opens the book, "I prefer my subjects dead," and perhaps having a subject not yet dead has made it more difficult for Kaplan to synthesize the life and work, to put Vidal into context and to pinpoint the telling details of his subject's productive life. For this extremely long biography showcases erudition at the expense of selection, and the book drowns in encyclopedic detail. Much of the detail, drawn from Kaplan's access to Vidal's papers, is enlightening. Kaplan is especially good on Vidal's relationships with his editors at publishing companies and magazines and his friendships and feuds with Joanne Woodward, Christopher Isherwood, Tennessee Williams, Norman Mailer, William Buckley and others. His analysis of Vidal's multifarious work (novels, essays, plays, screenplays) is often elucidating. His accounts of Vidal's various runs for office are also useful. Yet it is annoying to read long-winded prose with a disappointing lack of immediacy. (Compare, for instance, Gerald Clarke's scintillating biography of Truman Capote, also about a contemporary writer known for his wit and style, and also written with the cooperation of its subject.) Kaplan, falling far short of that standard, convinces the reader that Vidal's unusually vast involvement with the political and literary life of his times is impressive, without seeming to draw much inspiration from Vidal's own biting prose, which, though cited dutifully, fails to spark in this context. Rather than coming to life, Vidal seems entombed within the pages of this book. 12 pages b&w photos.
