Featuring Robert Langdon - A Novel
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In his international blockbusters The Da Vinci Code, Angels & Demons, and The Lost Symbol, Dan Brown masterfully fused history, art, codes, and symbols. In this riveting new thriller, Brown returns to his element and has crafted his highest-stakes novel to date.
In the heart of Italy, Harvard professor of symbology Robert Langdon is drawn into a harrowing world centered on one of history’s most enduring and mysterious literary masterpieces . . . Dante’s Inferno.
Against this backdrop, Langdon battles a chilling adversary and grapples with an ingenious riddle that pulls him into a landscape of classic art, secret passageways, and futuristic science. Drawing from Dante’s dark epic poem, Langdon races to find answers and decide whom to trust . . . before the world is irrevocably altered.
Publishers Weekly Review
© Publishers Weekly
Another excellent Robert Langdon novel by Dan Brown!
There is something about Dan Brown's writing that hooks me right into the story being told. I just absolutely love all the fun facts, puzzles, riddles, and of course, the main character Robert Langdon. Every time I go back and re-read The DaVinci Code, The Lost Symbol, and now Inferno, I can easily picture Tom Hanks as Robert Langdon in these novels.
Just like the preceding novels, Inferno is an enjoyable and fun read that keeps the reader on the edge of their seat, leaving them unable to put the book down. Dan Brown, if you're reading this, I'm looking forward to your next Robert Langdon novel. Keep up the great work!
From one who actually read it
I feel cheated and robbed -- at any price. This story was painfully overburdened by endless descriptions of scenery, locales, museums, etc. I either nodded off repeatedly or switched to a news or weather app. If I had wanted a travel guide of Italy, I would have purchased one.
By the time that I reached a ridiculous and unbelievable plot twist, I had ceased caring about about the characters or their pursuits. Shamefully playing off of our love of the 'Code', he drags us from one locale to another, with vague and ambiguous 'clues' and 'aha moments'.
In the end -- I just wanted it to end. Mercifully it did, but I will get back neither my money nor those wasted hours of my life.
Save yourself both.
I think he dropped the ball with this one and the last one.
I don't get it with the female leads and debonaire aging professor casanova....becoming creepy of late. It's as if it's begging to be picked up as a movie.
I'd give this one a miss.