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Pictures at a Revolution

Five Movies and the Birth of the New Hollywood

Mark Harris

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Description

The epic human drama behind the making of the five movies nominated for Best Picture in 1967-Guess Who's Coming to Dinner, The Graduate, In the Heat of the Night, Doctor Doolittle, and Bonnie and Clyde-and through them, the larger story of the cultural revolution that transformed Hollywood, and America, forever

It's the mid-1960s, and westerns, war movies and blockbuster musicals-Mary Poppins, The Sound of Music-dominate the box office. The Hollywood studio system, with its cartels of talent and its production code, is hanging strong, or so it would seem. Meanwhile, Warren Beatty wonders why his career isn't blooming after the success of his debut in Splendor in the Grass; Mike Nichols wonders if he still has a career after breaking up with Elaine May; and even though Sidney Poitier has just made history by becoming the first black Best Actor winner, he's still feeling completely cut off from opportunities other than the same "noble black man" role. And a young actor named Dustin Hoffman struggles to find any work at all.

By the Oscar ceremonies of the spring of 1968, when In the Heat of the Night wins the 1967 Academy Award for Best Picture, a cultural revolution has hit Hollywood with the force of a tsunami. The unprecedented violence and nihilism of fellow nominee Bonnie and Clyde has shocked old-guard reviewers but helped catapult Warren Beatty and Faye Dunaway into counterculture stardom and made the movie one of the year's biggest box-office successes. Just as unprecedented has been the run of nominee The Graduate, which launched first-time director Mike Nichols into a long and brilliant career in filmmaking, to say nothing of what it did for Dustin Hoffman, Simon and Garfunkel, and a generation of young people who knew that whatever their future was, it wasn't in plastics. Sidney Poitier has reprised the noble-black-man role, brilliantly, not once but twice, in Guess Who's Coming to Dinner and In the Heat of the Night, movies that showed in different ways both how far America had come on the subject of race in 1967 and how far it still had to go.

What City of Nets did for Hollywood in the 1940s and Easy Riders, Raging Bulls for the 1970s, Pictures at a Revolution does for Hollywood and the cultural revolution of the 1960s. As we follow the progress of these five movies, we see an entire industry change and struggle and collapse and grow-we see careers made and ruined, studios born and destroyed, and the landscape of possibility altered beyond all recognition. We see some outsized personalities staking the bets of their lives on a few films that became iconic works that defined the generation-and other outsized personalities making equally large wagers that didn't pan out at all.

The product of extraordinary and unprecedented access to the principals of all five films, married to twenty years' worth of insight covering the film industry and a bewitching storyteller's gift, Mark Harris's Pictures at a Revolution is a bravura accomplishment, and a work that feels iconic itself.

Publishers Weekly Review

Oct 29, 2007 – While one might think that the films discussed in this book have been thoroughly plumbed (The Graduate; Bonnie and Clyde; In the Heat of the Night; Guess Who’s Coming to Dinner?), Entertainment Weekly writer Harris offers his take in this thorough and engaging narrative. Instead of simply retelling old war stories about the production of these five Best Picture nominees at the 1968 Oscars, Harris tells a much wider story. Hollywood was on the brink of obsolescence throughout the 1960s as it faced artistic competition from European art films and financial implosion due to an outdated production system and rising budgets. Harris doesn’t shy away from complexity in favor of easy answers, and the personalities that he profiles—among them Sidney Poitier, Mike Nichols, Warren Beatty and Richard Zanuck—are certainly worthy of the three dimensional approach. Harris also peppers his narrative with moments that capture the rising cultural tide that broke in the late ’60s: chipping away at the moralistic Production Code, and Hollywood’s inconsistent engagement with the Civil Rights movement are continuous sources of interest throughout this fascinating book.

Customer Reviews

A Window in Shifting Times

This book gives a great look at a very small window of Hollywood's history. While there are many factors that contributed to the shift in the types of films Hollywood would begin to make, this book never tries to give a definitive answer. Instead, it allows a peak into one single year and 5 films that represent a turning point for Hollywood. In this year you see the old guard still hanging on, clueless as to what the public wants to see, and the emergence of a new type of cinema, one that draws its influences from the personal European sensibility and infuses it with an American attitude. A great read that contains a lot of history, not only in Hollywood but provides a political and social background as well, yet never feels like a lecture.

The Best Pictures of an Interesting Time

Insightful and well researched about interesting people making the best movies they could. The author has also segued the threads of the stories in a superbly smooth manner. Here is a book which is comprehensively attentive to the business, art and personalities of 1960s Hollywood and New York, yet still quite a page turner.

Pictures at a Revolution
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  • $13.99
  • Available on iPhone, iPad, iPod touch, and Mac.
  • Category: United States
  • Published: Feb 14, 2008
  • Publisher: Penguin Publishing Group
  • Seller: Penguin Group (USA) Inc.
  • Print Length: 496 Pages
  • Language: English
  • Requirements: To view this book, you must have an iOS device with iBooks 1.3.1 or later and iOS 4.3.3 or later, or a Mac with iBooks 1.0 or later and OS X 10.9 or later.

Customer Ratings