The Static of the Spheres
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Peter Leroy recalls his maternal grandfather’s attempt to build a shortwave radio, a project that begins with an article in Impractical Craftsman magazine promising "hour after interminable hour of baffling precision work." After many, many hours spent watching his grandfather labor at his basement workbench, Peter at last gets to put the earphones on, flip the switch, and twiddle the dials. Through the crackling and sussurous static he detects the sounds of love and lust, joy and sorrow, hope and loss.
“Reading the Peter Leroy saga is akin to watching a champion juggler deftly keep dozens of balls in the air while executing an intricate double-time dance routine—all without breathing hard. . . . Sentimental, loving, raucous, wise, and great fun, this is simply not to be missed.”
“[Kraft’s Peter Leroy] series is smart, funny, warmly inviting, and delightfully impossible to define.”
Kate Bernheimer, The Oregonian
“Eric Kraft’s essential subject is suburban boyhood—in particular, that moment when it loses its innocence. . . . Like Lawrence Sterne, Kraft is unashamedly sentimental, digressive, and extremely funny; like Proust, profoundly nostalgic and obsessed with loss. The typical Kraft novel is a laugh-out-loud read with undertones of grief and ruefulness. Almost all of his books revolve around a single individual, Peter Leroy, who is now . . . as fully realized as any character in current American literature. . . . Under the surface humor, Kraft’s take on the national experience is thoughtful, disturbing, and unlike that of any other American writer.”
Anthony Brandt, Men’s Journal
“The Personal History, Adventures, Experiences & Observations of Peter Leroy is one of the biggest, funniest, sweetest, and looniest undertakings in contemporary American fiction.”
John Strausbaugh, New York Press
LENGTH: novella, approximately 20,000 words, 96 pages in the trade paperback edition
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