Like his previous features Songs From The Second Floor and You, The Living, master Swedish director Roy Andersson takes up the theme of “being a human being” with this meticulously crafted, dreamlike black comedy. Sam and Jonathan, a pair of hapless novelty salesman, take us on a kaleidoscopic tour of the human condition in reality and fantasy, unfolding in absurdist episodes: a sing-along at a 1940s beer hall, a randy flamenco teacher, a thirsty King Charles XII of Sweden en route to battle, and a diabolical metaphor for the horrors inflicted by European colonialism. It is a journey that unveils the beauty of single moments, the pettiness of others, life’s grandeur, and the humor and tragedy hidden within us all.
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Ratings and Reviews
Critics Consensus: Expertly assembled and indelibly original, A Pigeon Sat on a Branch concludes writer-director Roy Andersson's Living trilogy in style.