The Paris Review
By The Paris Review and Stitcher
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An audio odyssey behind the scenes at the world's most legendary literary magazine. A phantasmagoric blend of stories, archival tape, and interviews with the likes of James Baldwin, Ernest Hemingway, and Dorothy Parker. Plus, the cutting-edge writers of our time.
||CleanTime Has Stood Still: Philip Roth (1933–2018)||Before Philip Roth was an American icon, he published one of his first short stories in The Paris Review in 1958. In 2010 he received the Hadada, our award for lifetime achievement. Here is his acceptance speech.||5/23/2018||Free||View in iTunes|
||Explicit12. Thunder, They Told Her (with Jamaica Kincaid, James Salter, Dick Cavett, Sadie Stein, Frederick Seidel, Robert Bly, and Caitlin Youngquist)||The final episode of Season 1. Jamaica Kincaid in conversation and reading her short story WHAT I HAVE BEEN DOING LATELY; James Salter’s story BANGKOK read by Dick Cavett; Sadie Stein encounters a literary specter on the 1 Train; Frederick Seidel reads his poem THE END OF SUMMER; and Caitlin Youngquist reads Robert Bly’s CHORAL STANZA NUMBER ONE, which appeared in the very first issue of The Paris Review, in the Spring of 1953.||2/21/2018||Free||View in iTunes|
||Explicit11. Tomorrow's Reason (with Hunter S. Thompson, George Plimpton, Terry McDonell, Pablo Neruda, Antonio Gueudinot, Amie Barrodale, Paul Heesang Miller)||Shotguns, peacocks, golf, acid. Editor Terry McDonell recounts his 1984 visit, along with George Plimpton, to Hunter S. Thompson's home in Colorado, including never-before-heard archival tape; a poem by Pablo Neruda, translated by Alastair Reid and read by Antonio Gueudinot; and actor Paul Heesang Miller reads WILLIAM WEI, a short story by Amie Barrodale. "Emerging" from EXTRAVAGARIA by Pablo Neruda, translated by Alastair Reid. Translation copyright © 1974 by Alastair Reid. Used by permission of Farrar, Straus and Giroux.||2/14/2018||Free||View in iTunes|
||Explicit10. The Occasional Dream (with Frank O'Hara, David Sedaris, Joy Williams, Mary-Louise Parker, Roberto Bolaño, Dakota Johnson, John Ashbery, Steve Gunn, John Jermiah Sullivan, Robert Johnson)||David Sedaris reads Frank O'Hara; Mary-Louis Parker reads Joy Williams; Dakota Johnson reads Roberto Bolaño; John Ashbery is scored by musician Steve Gunn; and The Paris Review's Southern Editor John Jeremiah Sullivan sings Robert Johnson. "A True Account of Talking to the Sun at Fire Island" from THE COLLECTED POEMS OF FRANK O'HARA by Frank O'Hara, copyright © 1971 by Maureen Granville-Smith, Administratrix of the Estate of Frank O'Hara, copyright renewed 1999 by Maureen O'Hara Granville-Smith and Donald Allen. Used by permission of Alfred A. Knopf, an imprint of the Knopf Doubleday Publishing Group, a division of Penguin Random House LLC. All rights reserved. “Soonest Mended” from The Double Dream of Spring by John Ashbery. Copyright © 1970, 1969, 1968, 1967, 1966 by John Ashbery. Used by permission of Georges Borchardt, Inc., on behalf of the author. All rights reserved.||1/31/2018||Free||View in iTunes|
||Explicit9. God, Etc. (with Jesse Eisenberg, Benjamin Nugent, Rowan Ricardo Phillips, Kristen Dombek)||A frat boy encounters the divine in Benjamin Nugent's story GOD, performed by Jesse Eisenberg; Rowan Ricardo Phillips examines the difference between heaven and paradise in his poem KINGDOM COME; and Kristin Dombek sends us a LETTER FROM WILLIAMSBURG.||1/24/2018||Free||View in iTunes|
||Explicit8. Questionable Behavior (with Dorothy Parker, Stockard Channing, Anna Sale, Alexia Arthurs, Helga Davis, Blair Fuller, John Guare, Idra Novey, Elena Wilkinson, Jeff Gleaves)||Stockard Channing and Anna Sale recreate the Review's 1956 interview with Dorothy Parker; writer Idra Novey talks about the taste of the letter "H"; Helga Davis reads Alexia Arthurs short story BAD BEHAVIOR; acclaimed playwright John Guare shares former Review editor Blair Fuller's true story AN EVENING WITH JD SALINGER; and Jeff Gleaves, the Review's Digital Director, recites Elena Wilkinson's poem AFTER THE LOSS OF A LIMB.||1/17/2018||Free||View in iTunes|
||Explicit7. The Listening Forest (with Eudora Welty, George Plimpton, Denise Levertov, Ottessa Moshfegh, Glynis Bell)||Denise Levertov's poem SOUND OF THE AXE, read by actor Glynis Bell; Eudora Welty tells George Plimpton about the time Henry Miller visited her in Jackson, Mississippi, and recounts the mysterious tale of Thelma; Ottessa Moshfegh reads her story A DARK AND WINDING ROAD. This episode is sponsored by Audible. Go to audible.com/PARIS for a 30-trial and free first audiobook.||1/10/2018||Free||View in iTunes|
||Explicit6. The Beetle and the Butterfly (with David Sedaris, Eudora Welty, George Plimpton, Sharon Olds, Peter Ho Davies)||Eudora Welty recalls the time her mother saved Dickens; David Sedaris ponders the unsettled dead in his essay LETTER FROM EMERALD ISLE; Nadja Spiegelman reads Sharon Olds's poem THE BEETLE; and Peter Ho Davies's short story THE ENDS tells a tale of Nazis, gallows, and basketball.||12/20/2017||Free||View in iTunes|
||Explicit5. To See You Again (with Lucia Berlin, Alison Fraser, Brian Cullman, Eileen Myles, Caleb Crain)||Acclaimed poet Eileen Myles reads SWEET HEART; two-time Tony nominee Alison Fraser lends her voice to Lucia Berlin's story B.F. AND ME; author Caleb Crain encounters the angel of death; and Brian Cullman shares a story about the time Van Morrison bought him a drink.||12/13/2017||Free||View in iTunes|
||Explicit4. Missed Connections (with Marc Maron, Sam Lipsyte, Robert Pattinson, James Wright, Sadie Stein, George Plimpton)||Marc Maron reads THE WORM IN PHILLY, a story by Sam Lipsyte; Robert Pattinson reads a poem by James Wright; George Plimpton recalls a boxing match in Hemingway's dining room; and Sadie Stein shares a true story about missed connections.||12/6/2017||Free||View in iTunes|
||Explicit3. I Was There (with James Baldwin, LeVar Burton, Morgan Parker, Dorothea Lasky, Dakota Johnson, Raymond Carver)||LeVar Burton recreates the Review's Art of Fiction interview with James Baldwin; Morgan Parker reads her poem HOTTENTOT VENUS; Dakota Johnson reads a poem by Dorothea Lasky; and Lorin Stein reads WHY DON'T YOU DANCE, a classic story by Raymond Carver. “Soonest Mended” from The Double Dream of Spring by John Ashbery. Copyright © 1970, 1969, 1968, 1967, 1966 by John Ashbery. Used by permission of Georges Borchardt, Inc., on behalf of the author. All rights reserved.||11/22/2017||Free||View in iTunes|
||Explicit2. Always Leaving (with Jack Kerouac, Hailey Gates, Erica Ehrenberg, Shelly Oria, Donnetta Lavinia Grays)||A visit to Jack Kerouac’s house ends with the story of Buddha; Hailey Gates reads a poem by Erica Ehrenberg about love and moving on; and MY WIFE, IN CONVERSE, Shelly Oria’s tale of marriage, poetry, and cooking class, as performed by Donnetta Lavinia Grays.||11/15/2017||Free||View in iTunes|
||Explicit1. Times of Cloud (with Eileen Myles, Wallace Shawn, Maya Angelou, Sadie Stein)||Poet and downtown icon Eileen Myles reading a poem by James Schuyler; archival tape of Maya Angelou interviewed by George Plimpton, the founding editor of the Review; the legendary actor and writer Wallace Shawn reading Denis Johnson’s famous story “Car-Crash While Hitchhiking”; and a true story by Sadie Stein, read by herself, about doing the twist alone on a Tuesday night.||11/8/2017||Free||View in iTunes|
||ExplicitComing soon: The Paris Review Podcast||The world's most legendary literary magazine invites you on an audio odyssey through fiction, archival tape, interviews and late nights with the likes of James Baldwin, Dorothy Parker, and the cutting edge writers of our time. Featuring readings from LeVar Burton, Stockard Channing, Jesse Eisenberg, Marc Maron, Eileen Myles, David Sedaris, Dick Cavett, Dakota Johnson, and more! Check out this trailer for the upcoming season, and subscribe now to hear the first episode on November 8th. More info at www.theparisreview.org/podcast.||10/24/2017||Free||View in iTunes|
Bring it back!!!!
A soundscape instead of a formal podcast. This is the perfect way to share the content with us, and I’ve never heard anything like it before.
My only complaint is that it’s so new that I don’t have an infinite backlog of episodes to turn to, otherwise I’d listen every night before bed.
Production value is by far the best I’ve heard of the dozens of shows I listen to regularly.