12 episodes

ESOPUS is an annual arts publication that features multidisciplinary content presented in a striking visual format with minimal editorial framing and no advertising. Each issue includes contemporary artists' projects, materials from the Museum of Modern Art archives reproduced in facsimile, fiction, poetry, works on film, visual essays, and a themed audio CD featuring brand-new songs from a range of musical acts.

ESOPUS ESOPUS

    • Arts
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ESOPUS is an annual arts publication that features multidisciplinary content presented in a striking visual format with minimal editorial framing and no advertising. Each issue includes contemporary artists' projects, materials from the Museum of Modern Art archives reproduced in facsimile, fiction, poetry, works on film, visual essays, and a themed audio CD featuring brand-new songs from a range of musical acts.

    “Why the Long Face?” by Peter Silberman

    “Why the Long Face?” by Peter Silberman

    For this atmospheric instrumental track created for the ESOPUS 25 "Jokes" CD (included in ESOPUS 25, the nonprofit arts publication now in bookstores) The Antlers frontman Peter Silberman took his inspiration from an old classic:

    A horse walks into a bar, and the bartender asks, "Why the long face?"

    Silberman talks about his choice in the issue's liner notes: "I love this joke for its simplicity, and fittingly, I wrote a piece that revolves around a single, economical melody [whose] central riff mimicked the phrase ‘Why the long face?’” The track appears on the compilation along with new songs by Lonnie Holley, Katie Von Schleicher, and Joseph Keckler, among others; the CD is introduced in the issue by comedian Demetri Martin.

    • 3 min
    "Cosmic Joke" by Alicia Walter

    "Cosmic Joke" by Alicia Walter

    The second sneak preview from the ESOPUS 25 "JOKES" CD -- included in ESOPUS 25, which is just hitting bookstores -- is a fantastic art-pop track by Alicia Walter, who chose this humorous poem by philosopher Alan Watts as its inspiration:

    There once was a man who said,
    “Though it seems that I know that I know,
    What I’d like to see,
    Is the I that knows me,
    When I know that I know that I know.”

    Walter describes her process on our website: “How could I pick just one joke, when everything tickles me? The 'cosmic joke' seemed to fit me best: life itself is funny -- it’s hilarious! Sometimes we think we 'get' what’s going on, but of course we don’t. We’re always looking, looking, looking for answers everywhere outside ourselves. And we may feel we come closest to figuring it all out when we just stop trying to figure it all out. But of course, we still haven’t figured out a thing! What could be funnier than that?”

    Get more info about the CD and issue at https://www.esopus.org/contents/view/411

    • 3 min
    "Why Did the Man Talk to a Horse Off in the Bar?" by Lonnie Holley [PREVIEW]

    "Why Did the Man Talk to a Horse Off in the Bar?" by Lonnie Holley [PREVIEW]

    For its latest audio compilation, ESOPUS invited 11 musical acts -- including Peter Silberman, Joseph Keckler, and Katie Von Scheicher -- to create new songs inspired by a joke of their choice. The CD will appear in ESOPUS 25, which is just now hitting bookstores. The iconic comical query “Why did chicken cross the road?” opens “Why Did the Man Talk to a Horse Off in the Bar?,” created by acclaimed artist and musician Lonnie Holley. This song is a haunting, deeply moving meditation upon mortality, religion, and humankind’s relentless search for meaning through the act of storytelling. Holley recorded it at Figure 8 Recording Studio in Brooklyn several months ago, enlisting the help of musicians Courtney Hartman, Elizabeth LaPrelle, Anna Roberts-Gevalt, and Zosha Warpeha.

    • 5 min
    Lisa Kudrow Discusses "The Comeback" with Tod Lippy (Museum of the Moving Image, 2/23/11)

    Lisa Kudrow Discusses "The Comeback" with Tod Lippy (Museum of the Moving Image, 2/23/11)

    ESOPUS inaugurated a collaborative series with the newly renovated Museum of the Moving Image in Astoria, Queens, with a screening and in-person appearance by actress Lisa Kudrow and her producing partner Dan Bucatinsky. In 2005, Kudrow and Michael Patrick King co-created "The Comeback," a penetrating and often brutal satire of reality TV, sitcoms, and show business in general, which aired on HBO for one season (and which was featured, along with an interview with Kudrow and King, in ESOPUS 15: TELEVISION). The program opened with a screening of the series’ first episode, after which Kudrow, who was nominated for an Emmy for her brilliant portrayal of the show’s protagonist, Valerie Cherish, discussed the conception, execution, and untimely demise of the critically lauded series (which was finaly ultimately resurrected by HBO in 2015 for another acclaimed season).

    • 54 min
    Karl Ove Knausgaard in Conversation with Tod Lippy (BookCourt, 5/21/16)

    Karl Ove Knausgaard in Conversation with Tod Lippy (BookCourt, 5/21/16)

    In front of a packed house at Brooklyn’s BookCourt, the celebrated Norwegian author Karl Ove Knausgaard (My Struggle) spoke with ESOPUS editor Tod Lippy about “On the Value of LIterature,” his 5,000-word essay that appears in ESOPUS 23. Knausgaard also took questions from the audience about his writing process, and the evening ended with a book-signing.

    • 24 min
    Hampton Fancher Reads William Carlos Williams (The Kitchen, 5/26/16)

    Hampton Fancher Reads William Carlos Williams (The Kitchen, 5/26/16)

    On May 26, 2015, ESOPUS presented an evening of programming at NYC's The Kitchen related to ESOPUS 22: MEDICINE, the nonprofit's 2015 issue devoted to the intersections between medicine and the arts. Among the event's participants was screenwriter Hampton Fancher ("Blade Runner") who read a 1942 letter, which appears in the issue, from poet/doctor Williams Carlos Williams to a young medical student.

    Learn more at https://www.esopus.org/news/view/82

    • 6 min

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