Podcast Nonsense Patrick Krebs

Alex Powers is a Comic and an Actress. She discusses her secret sauce for comedy. We also get into a pretty controversial discussion about racism in Baltimore, the North and the South and the conditions surrounding the disenfranchised in America's cities.

Shaun Cashman is a Supervising Producer and Director on Animated Television shows. His credits include The Simpsons, King of the Hill, and Randy Cunningham: 9th Grade Ninja. He talks about his experiences working with Disney, Nickelodeon and shares what it's like to introduce your children to Star Wars for the first time.

Liz Germain visits the podcast this week to share her experience as an Internet entrepreneur. We talk about landing pages, split testing. She also provides all sorts of information to go research to help people get started. Her business is SuperSistersFitness.com and her new venture TheRealFoodReset.com.

Juliana James visits the week to talk about developing TV shows for Nickelodeon, and Dreamworks. She discusses the virtues of rubbing things in the Vatican, the New Pope, Haunted Hotels, and The Arizona Vortex. We also examine my fear of authority, the current state of the American Space program and The Trolley Problem.

According to Marya Gullo, a Digital Photo Director at Playboy, we are living in, "The Age of the Ass." Marya Gullo joins Podcast Nonsense this week to share about what it's like working for Playboy, UFC and Maxim. We talk about all sorts of fun stuff from growing up in New York City in the 80's, to finding Playboy's in the woods, to her recent vacation through the Donner pass. She brings up ancient seafaring nations, Native American's that fought with Vikings, Ancestor worship, Cannibalism, Vampires and trying to make Playboy's website "Safe for Work".

Madeline Blue joins the podcast and discusses her experience as an actress in Los Angeles. She opens up about what it is like to be a woman in the industry, ways women are taken advantage of and the modern ways casting directors and agents have preyed on young actresses to produce social media attention for their projects.