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Boy Child - 67-70

Scott Walker

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Reseña de álbum

This collection of "Scott's best self-composed songs" features 20 Walker originals from his 1967-1970 heyday. While he covered some interesting material on his albums during this period, paying tribute to Jacques Brel with special devotion and frequency, his original compositions are his most enduring achievements. Besides such highlights as "Big Louise," "We Came Through," "The Seventh Seal," "Plastic Palace People," and "The Old Man's Back Again," it includes half a dozen songs that were not included on the four other solo albums that Fontana UK has reissued on CD. Some of those cuts are very strong, especially the ennui-ridden "Time Operator" with its positively eloquent despair, and "The Plague," a representative sampling of Walker's taste for the disquieting and bizarre. This is a recommended starting point for those interested in checking out this singularly strange '60s phenomenon, who was a relatively unacknowledged and undetected, but nonetheless substantial, influence on David Bowie and other fashionably decadent British singers.

Biografía

Nacido(a): 09 de enero de 1943 en Hamilton, OH

Género: Pop

Años de actividad: '50s, '60s, '70s, '80s, '90s, '00s, '10s

One of the most enigmatic figures in rock history, Scott Walker was known as Scotty Engel when he cut obscure flop records in the late '50s and early '60s in the teen idol vein. He then hooked up with John Maus and Gary Leeds to form the Walker Brothers. They weren't named Walker, they weren't brothers, and they weren't English, but they nevertheless became a part of the British Invasion after moving to the U.K. in 1965. They enjoyed a couple of years of massive success there (and a couple of hits...
Biografía completa
Boy Child - 67-70, Scott Walker
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