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Resurrect

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Reseña de álbum

Resurrect's predecessor, 1995's Eric Taylor, was a "comeback" album from a man who had never really arrived to begin with, a tentative thumbs-up delivered from the sober side of the fence. And while its very existence was a personal victory for its creator, it wasn't an especially personal statement — a fine, impeccably assembled piece of work, sure, but one in which the author maintains a considerable distance from his subjects. By contrast, Resurrect couldn't be more intimate, the result, perhaps, of Taylor's gaining a bit more perspective on his place in life and the obsession with Texas that has consumed a good part of it. Two of its tracks — the self-empowered breakup tune "Walkin' Back Home" and the mythic reflection on childhood "Depot Light" — cut especially close to the bone, so it's only appropriate that they should bookend the 11-song effort, giving it a concept-like feel. "You keep that long tall pine/You take that Georgia moon/I'm going home to mine," sings the Atlanta native on "Walkin' Back Home," declaring an affinity for his adopted home state that, by now, must be seared into his DNA. That seamless jockeying between impressionistic detail and measured introspection (never too self-involved but frequently involving) vivifies Resurrect. The narratives are goaded along by Taylor's nimble production and the instrumental accents of bassist Rock Romano, pianist Mike Sumler, and percussionist James Gilmer. Also making contributions to the CD are violinist Gene Elders and horn player Dennis Dotson. The latter's muted trumpet lends a delicate melancholic tinge to "Louis Armstrong's Broken Heart," home to the disc's most indelible melody. Though the ensemble cast is impressive enough, Taylor's sturdy, resonant compositions rarely need much propping up.

Biografía

Nacido(a): 25 de agosto de 1949 en Atlanta, GA

Género: Intérprete/compositor

Años de actividad: '80s, '90s, '00s, '10s

Although a Georgia native, Eric Taylor found fame in Texas, where his folksinging influenced both Lyle Lovett and Nanci Griffith (both of whom have recorded his songs). Taylor got a ride to Houston in 1970, and after seeing Lightnin' Hopkins and Townes Van Zandt, was convinced to stay. He emerged from the Houston folk scene of the '70s along with Van Zandt and Guy Clark; despite local fame, his full-scale national debut on Watermelon Records wasn't released until August 1995. The self-titled album...
Biografía completa
Resurrect, Eric Taylor
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