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Reseña de álbum

With the continued popularity of the Buena Vista Social Club, it seems that Cuban artists are in more demand than ever. If the polished skills of Bamboleo is any indication, the tiny island country still has plenty of great musical resources that have yet to be mined. Bamboleo specializes in a style known as timba — a blend of jazz, salsa, soul, funk, and Afro-Caribbean rhythms. The first four tracks of Ño Qué Bueno Está, which were recorded live, are the album's highlight. The rich vocals of singers Vannia Borges and Yordamis M. Megret are a perfect counterpoint for the band's powerful, brass-filled arrangements. Unfortunately, the last six tracks of the album are mostly remixes of the group's other songs. For some reason, the album's producers feel the need to rely on DJ scratches and rapping to appeal to a new audience. If the Buena Vista Social Club has proven anything, it's that music fans want to hear Cuban musicians speak for themselves. It's too bad that this album doesn't understand that.


Género: Salsa y tropical

Años de actividad: '90s, '00s

Like sweet rum and smooth cigars, Bamboleo is another one of those fine Cuban exports that, once you get a taste of it, one sampling just won't be enough. The 14-member timba group is one hot number, from its music and choreography to its well-dressed singers and musicians. Lazaro Valdes leads the band, and he also plays the piano, arranges, composes, and writes songs. A Havana native, he was enrolled in the Alejandro Garcia Caturla Academy during the 1970s. He established Bamboleo after spending...
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No Que Bueno Esta!, Bamboleo
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