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August and Everything After

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Reseña de álbum

When the prevailing guitar jingle of "Mr. Jones" cascaded over radio in the early '90s, it was a sure sign that the Counting Crows were a musical force to be reckoned with. Their debut album, August and Everything After, burst at the seams with both dominant pop harmonies and rich, hearty ballads, all thanks to lead singer Adam Duritz. The lone guitar work of "Mr. Jones" coupled with the sweet, in-front pull of Duritz's voice kicked off the album in full force. The starkly beautiful and lonely sounding "Round Here" captured the band's honest yet subtle talent for singing ballads, while "Omaha" is lyrically reminiscent of a Springsteen tune. The fusion of hauntingly smooth vocals with such instruments as the Hammond B-3 organ and the accordion pumped new life into the music scene, and their brisk sound catapulted them into stardom. On "Rain King," the piano takes over as its aloof flair dances behind Duritz with elegant crispness. The slower-paced "Raining in Baltimore" paints a perfectly gray picture and illustrates the band's ease at conveying mood by eliminating the tempo. Most of the songs here engage in overly contagious hooks that won't go away, making for a solid bunch of tunes. Containing the perfect portions of instrumental and vocal conglomeration, the Counting Crows showed off their appealing sound to its full extent with their very first album.

Biografía

Se formó en: agosto de 1991 en San Francisco, CA

Género: Rock

Años de actividad: '90s, '00s, '10s

Con su híbrido angustioso entre Van Morrison, the Band y R.E.M., Counting Crows se convirtió en sensación de la noche a la mañana en 1994. "Mr. Jones", la única canción rápida del álbum debut August and Everything After, fue su pasaporte al éxito, y Counting Crows continuó su popularidad con una serie de simples que incluyen "Round Here,", "A Long December," y "Hangingaround". Impulsados por la expresiva voz de Adam Duritz y un estilo de composición de canciones basadas en la melodía que demuestra...
Biografía completa