Iniciando iTunes Store.Si iTunes no se inicia, haz clic en el icono de la aplicación iTunes en el Dock de Mac o en el escritorio de Windows.Indicador de progreso
iTunes

iTunes es la manera más fácil del mundo de organizar y ampliar tu colección digital multimedia.

No encontramos iTunes en este ordenador. Para usar vista previa y comprar música de Pictures de Katie Melua, descarga iTunes ya.

¿Ya tienes iTunes? Haz clic en Ya tengo iTunes, para que sea activado.

Yo tengo iTunes Descarga gratis
iTunes para Mac y PC

Pictures

Katie Melua

Abre iTunes para escuchar un fragmento, comprar y descargar música.

Reseña de álbum

With a voice that sounds like a more mainstream version of the late jazz cult superstar Eva Cassidy and smoky raven-haired looks to rival a movie lot's worth of young ingénues, it's a bit of a surprise that Katie Melua has remained so unknown in the United States, despite the chart success the Eastern European-born songstress has achieved in her adopted home of the United Kingdom. It seems like she should be at least as popular as, say, Regina Spektor or Nellie McKay. Pictures may not help that much, however, because in comparison to its fairly straightforward jazz-tinged singer/songwriter predecessors, Melua's third album takes a bit of a left turn into the self-consciously quirky. It's a wonder that it took so long, because Melua's producer and part-time songwriter is Mike Batt, a minor legend of the U.K. music scene who has fashioned a decades-long career out of deliberate eccentricity. Much of Pictures sounds like Batt is reverting to his '70s children's music productions for the Wombles, especially "Mary Pickford (Used to Eat Roses)," a horrifyingly cutesy song about the early days of Hollywood royalty; "Scary Films," a thinly disguised cop of early Kate Bush tracks like "Hammer Horror" and "Wow," and the fake reggae "Ghost Town," which sounds like Batt experimenting with getting as close to ripping off the Specials' classic of the same name without veering into actual plagiarism. The closer Melua comes to restrained adult pop, like the unexpectedly touching Batt-penned torch ballad "What It Says on the Tin," and the gently swaying, Everything But the Girl-like bossa nova bounce of "Perfect Circle," the better the album is. The songs written by Melua by herself and/or with lyricist Molly McQueen are uniformly stronger than Batt's contributions, particularly the intimate, smoky "Spellbound," suggesting that leaving her mentor would do Katie Melua a world of good.

Biografía

Nacido(a): 16 de septiembre de 1984 en Kutaisi, Georgia, Russia

Género: Pop

Años de actividad: '00s, '10s

Plucked from music school obscurity by songwriter/producer Mike Batt, Katie Melua quickly became the highest-selling female musician in the U.K., a feat that owed much of its success to her wildly popular 2003 debut. Melua was born in Soviet Georgia in 1984 and later moved to Belfast, Northern Ireland. Her family pulled up stakes several years later and relocated to London, where Melua entered the B.R.I.T. School for the Performing Arts & Technology. The record industry-funded school had a habit...
Biografía completa
Pictures, Katie Melua
Ver en iTunes

Valoraciones de clientes

No hemos recibido suficientes valoraciones para poder mostrar un promedio de este artículo.

Influencias

Contemporáneos