Iniciando iTunes Store.Si iTunes no se inicia, haz clic en el icono de la aplicación iTunes en el Dock de Mac o en el escritorio de Windows.Progress Indicator
Abriendo el iBooks Store.Si iBooks no se abre, haz clic en la app iBooks del Dock.Progress Indicator

iTunes is the world's easiest way to organize and add to your digital media collection.

No encontramos iTunes en este ordenador. Para usar vista previa y comprar música de You Could Have It So Much Better de Franz Ferdinand, descarga iTunes ya.

¿Ya tienes iTunes? Haz clic en Ya tengo iTunes, para que sea activado.

I Have iTunes Descarga gratis
iTunes para Mac y PC

You Could Have It So Much Better

Abre iTunes para escuchar un fragmento, comprar y descargar música.

Reseña de álbum

Opting not to fix what broke them, You Could Have It So Much Better serves up more of the stylish, angular sound that worked so well on Franz Ferdinand's debut. After years of rehearsing in abandoned Glasgow warehouses and playing in relatively obscure groups like the Yummy Fur, it's perfectly understandable why the band chose not to mess with a good thing — and why they chose to follow up the breakthrough success of Franz Ferdinand so quickly. But, after a year and a half of near-instant acclaim and constant touring, Franz Ferdinand return with songs that just aren't as consistently good as the album that made them so successful in the first place. A lot of You Could Have It So Much Better feels like a super-stylized caricature of the band's sound, with exaggeratedly spiky guitars, brooding crooning, and punky-yet-danceable beats. This isn't an entirely bad thing: "The Fallen" begins the album with a wicked, gleeful welcome back that embraces the jaunty mischief running through most of Franz Ferdinand's best moments, while "I'm Your Villain" effortlessly nails the darkly sexy vibe they strived for on Franz Ferdinand. Meanwhile, the famous friends, arty parties, and "shocking" homoeroticism of "Do You Want To" — which feels more like a victory lap than a comeback single — play like knowing, tongue-in-cheek self-parody. However, too many tracks on You Could Have It So Much Better are witty and energetic in the moment but aren't especially memorable. "You're the Reason I'm Leaving," "What You Meant," "This Boy," and the oddly anti-climactic finale, "Outsiders," are Franz-lite — not at all bad, but not as good as even their early B-sides and certainly not up to the level of "Take Me Out." What helps save the album from being completely predictable are slower moments like the pretty, jangly "Walk Away" and atmospheric, piano-driven songs such as "Fade Together" (which really should've been the final track). Best of all is "Eleanor Put Your Boots On," a gorgeous, Beatlesque ballad that suggests that if Franz Ferdinand have songs this good in them, they're selling themselves, and their fans, short with most of the songs here (you could have it so much better, indeed). Not so much a sophomore slump as a rushed follow-up, You Could Have It So Much Better probably would've been better if Franz Ferdinand had waited until they had a batch of songs as consistent as their first album, but as it stands, it's still pretty good.


Se formó en: 2001 en Glasgow, Scotland

Género: Alternativa

Años de actividad: '00s, '10s

Franz Ferdinand, de Glasgow, se formó en 2001. Rápidamente grabaron material como para un EP que tenían la intención de editar por su cuenta, pero el boca a boca sobre la banda se extendió y Franz Ferdinand firmó con Domino en 2003. El EP del grupo Darts of Pleasure se editó ese otoño, y la banda pasó el resto del año de gira. El segundo simple del grupo, "Take Me Out", llegó a principios de 2004, y los propulsó a la popularidad internacional, al sentar bases para...
Biografía completa